But all the same: is there anything Anderson. And at the end of the day, this is a track that is more oriented towards late 1990s RnB than towards traditional soul. The proof is in the track After Last Night, on which the pair mingle generations by inviting the big beast Bootsy Collins as well as the icon of a new generation of bass players: Thundercat. In its postures, sound and arrangements, it is clearly modern, more of a hat-tip than a flashback. Their broad musical palette allows them to summon the energy of Tower of Power on 777, the frantic breakbeats of the JBs on Silk Sonic Intro or the Temptations-influenced melodies on Smokin’ Out The Window.
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Our rascally pair throw out a series of tributes to the great standards of Black music in the tradition of Soul Train, and act out a rather knowing kind of sensuality, which sometimes borders on pastiche- and it is a delight. Their first single together, Leave The Door Open, was a big hit in March 2021, heralding the album which the pair now unveil: An Evening With Silk Sonic. By joining forces as the Silk Sonic duo, they have created something greater than the sum of its parts. Paak and Bruno Mars are two of the very best.
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Les Siecles, Francois-Xavier Roth – Saint-Saens: Symphony No.Purchase and download this album in a wide variety of formats depending on your needs.Hanna PK – Blues All Over My Shoes (2021).泳儿 – Dark light of the soul 2022 – FLAC 分軌.刘美君 – The Queen Of Hardships 2009 – FLAC 分轨.Mqs.link_Brun0Mars24KMagic2016MasterQualityAudi0RipTidal2496.rar Those who want their rich and modern synthesizer funk minus flash would do well to seek Bugz in the Attic’s “Consequences,” Dâm-Funk’s “Galactic Fun,” Amalia’s “Welcome to Me,” and Anderson Paak’s “Am I Wrong,” for starters. Like much of what precedes it, the song is a blast. Freeze pushed their genre forward by fusing hip-hop to what they learned from electronic post-disco R&B pioneered by Leon Sylvers III, Kashif, and Jimmy Jam and Terry Lewis. In living color, decked out with a rattling breakbeat and zipping bassline, “Finesse” revisits the era when producers like Teddy Riley, Dave “Jam” Hall, and Dr. Lead single “24K Magic” is a scrupulous compound of early-’80s funk tricks, another needed injection of good-time energy into commercial airwaves, but the album’s true triumph is buried near the end – not that it takes long to get there – and scrapes the dawn of the ’90s. He’s often just ampin’ like Bobby, yet the performances are undeniable, dealt out with all the determination and attitude of a kid who just bought a custom lavender Razz with his paper route money. Almost all of the material involves Mars in winking bad-boy player mode. The clock is turned back a couple more decades to passable strutting James Brown-isms in “Perm,” while “Too Good to Say Goodbye,” co-written by Babyface, draws its structure and certain components from early-’70s Philly soul. Sonically, ’80s here means the gamut and the aftershocks felt the following decade, from the sparking midtempo groove in “Chunky,” which recalls Shalamar even more than album two’s “Treasure,” to some full-blooded new jack swing moves. This is less an affected retro-soul pastiche – like, say, The Return of Bruno – than it is an amusing ’80s-centric tribute to black radio. On his third album, Mars, joined primarily by old comrades Philip Lawrence, Brody Brown, and James Fauntleroy, sheds the reggae and new wave inspirations and goes all-out R&B. Released four years after the multi-platinum Unorthodox Jukebox, 24K Magic – or XXIVK Magic, if you’re foolish enough to go by the cover – might as well be considered the full-length sequel to “Uptown Funk,” Bruno Mars’ 2014 hit collaboration with Mark Ronson. The cold nihilism of contemporary R&B is anathema to Mars, an old-school song-and-dance man, and so 24K Magic’s vibe of choice revisits the era of Jimmy Jam and Terry Lewis and new jack swing – early 90s R&B. Obsessed as it is with surfaces, “24K Magic” packs considerable musical depth in its slavish attention to detail. “Twenty-four Karat Magic” – emphatically – not an album with which to man the barricades, but Mars manages to deliver a lot of conspicuous consumption with more charm than boorishness. Studio Masters, Official Digital Download – Source: TIDAL | Front CoverĬritically-acclaimed international megastar Bruno Mars has unveiled his first piece of solo music in nearly four years. FLAC (tracks) 24 bit/96 kHz | Time – 33:32 minutes | 721 MB | Genre: Pop
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